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“Firework” is an identity-inspired, Diamond-certified song that attempts to be magical and motivational, and to help - or urge - you to find that very special “spark” residing within. When Perry sings, “Don’t be a chicken boy / stop acting like a bi-otch,” all I can think about is Lindsay Lohan’s Cady Heron in Mean Girls calling Aaron Samuels a “bi-otch.” Anyway, “Peacock” is self-explanatory: aside from being played way too many times at any gay bar - I’m not complaining! - Katy Perry sings to a high-beat tune about climaxing to a boy’s reveal of the “jaw-droppin’” whatever he’s “hiding underneath.” It’s a totally catchy, risqué, and “cheerleading song,” according to Perry the Chicago Tribune’s Greg Kot, among others, even noticed the song’s immense similarity to Toni Basil’s 1981 hit “Mickey.” But the chorus is blatantly repetitive and goes out of style rather quickly. But perhaps its greatest legacy is affording Rebecca Black the chance to play the “cool girl”/neighbor who throws a giant house party, which “Kathy Beth Terry” attends to play Just Dance, in the 1 billion-plus viewed music video for “Last Friday Night (T.G.I.F.).” Iconic. Ten years later, in a list that welcomes absolutely nothing related to clownery, we rank the songs that make up an album that shook the pop industry with its originality, oddity, and ultrafantasy, an album whose influence can still be heard on midsummer-themed playlists, a slow-dancing nanosecond at prom, and in the vivid gestures of pop artists like Dua Lipa or Doja Cat today. Katy Perry was just 25 years old when Teenage Dream came out on August 24, 2010. It’d be worthy of a spot below in between “Who Am I Living For” and “Not Like The Movies” Wide Awake” is similarly transparent and candid, just to a lesser degree, putting it directly behind “Part of Me.”)
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Hypothetically including them in the ranking with the original version is competitive, but there’s a higher energy and more supreme sense of self-victory and honesty in each verse of “Part Of Me” that prevails over “Wide Awake. (In March 2012, she even released Teenage Dream: The Complete Confection it was a rerelease of the 2010 record, but added “Wide Awake” and “Part of Me” - both self-aware, confessional, robust pop songs that tell Perry’s story, and maybe our own. She’s mythic on “E.T.” And on the album’s title track - probably one of pop’s most Zeitgeist-y songs ever - Perry’s sonics animate the vulnerability of love, and where it can lead when it’s good. Perry teases horny pleasures through the rhythms of “Hummingbird Heartbeat” and “Peacock.” On “The One That Got Away,” she sings of the emotions of moving on, and of losing someone you loved … or maybe didn’t in the end. Teenage Dream is fun, and a fucking good album - open for interpretation by the listener.
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Luke casting a shadow over the album’s production).
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In its compilation of slut jams, metamorphosed queer anthems, and poppy, heartbreak lullabies, Teenage Dream might be one of the best records pop music has seen in the decade since, a body of work whose songs are bulletproof against criticism and trolling (despite serious allegations against Perry at the time and Dr. Teenage Dream sounds like what the best of high school felt like, and even now, transports you back to an era when the album seemed like a bridge to the future while still indulging in the past. And it’s true that Teenage Dream paralleled Gaga’s lane while also hyping Perry’s own aesthetic - pink and bright, Tumblr-esque, sexy but pure, nostalgic with its volume blasting - but, in doing so, it also made her and Gaga’s weirdness palatable. Many credit Lady Gaga for opening the doors to making weird and electronic and identity and disco a combined norm within modern Top 40 pop with The Fame Monster (namely: “Bad Romance,” “Monster,” and “Alejandro”) the fall before Teenage Dream. (It also verified that, yes, nothing really does come close to the Golden Coast.) From “Firework” to “Teenage Dream,” the collection of 12 songs jolted the pulse of pop. 1 hits, tied with Michael Jackson’s Bad - that cemented Katy Perry’s power status among her pop peers and foretold her trajectory within mainstream music as well as the direction pop was going. But it was Teenage Dream, Perry’s 2010 sophomore album - the one that received a Grammy nomination for Album of the Year and Best Pop Vocal Album, is 8x Multi-Platinum RIAA certified, and became only the second album in history to net five No. Her pool of bubblegum tracks, ballads, and campy, colorful music videos have helped Perry illustrate and actualize her character since the release of her debut album, 2008’s One of the Boys. No one contains multitudes like Katy Perry.